#Archambaud musique pro#

I’ve never seen so many scores outside of a conservatory or competitive sporting event. I can’t think of another bookstore this big that isn’t going out of business or subsidized by a university. It is a mecca for all the cultural things that aren’t cool anymore: It is a huge bookstore. The firm also founded the Prix Archambault (1940-63).Archambault makes my nerd glands salivate.

Moreover, in 1928 he ceded all his shares in this establishment to Eugène Lapierre, who at that time took over its reorganization. Archambault assisted the Conservatoire national of Montreal from the time of its foundation (1905), placing some rent-free premises at the disposal of Alphonse Lavallée-Smith for classes and administration. Recorded therein are the founder's efforts on behalf of music education. In the monthly Entre-Nous (1929-31) the chief editor, Frédéric Pelletier, has given an account of the history and activities of the Archambault firm.

Both labels were distributed in Quebec by Archambault and in the rest of Canada by London and others. Archambault also established in 1952 the Alouette recording label, which offered LPs of a variety of music at popular prices, and in 1959 the Select label, whose catalogue featured classical, popular, and religious music as well as educational recordings.

#Archambaud musique pro#

Works by composers who were members of CAPAC were published under the imprint of Archambault itself, and those of affiliates of PRO Canada were published under the imprint L'Industrie musicale. The firm also published instruction materials by Oswald Michaud, Albertine Morin-Labrecque, Al Stoupanse, and several others. Gagnier, Gratton, Eugène Lapierre, Albert Larrieu, Ernest Lavigne, Léo-Pol Morin, Clermont Pépin, Émiliano Renaud, Micheline Coulombe Saint-Marcoux, Georges-Émile Tanguay, and Éthelbert Thibault. Among the composers published by Archambault were Brassard, Champagne, Contant, Dela, J.-J. He acquired the rights for the Édition de la Schola cantorum in 1917 and the Édition Belgo-Canadienne ca 1929. In 1901 Archambault began to publish works by Canadian composers. In 1990 the firm was directed by Edmond III and Rosaire II under the name Archambault Musique, which had been adopted in 1983 in addition to opening a branch in Trois-Rivières, Archambault had acquired Musique d'Auteuil in Quebec City. Concurrently he was choirmaster 1919-36 at the St-Sacrement Church in Lachine and 1936-66 at the St-Jacques-le-Mineur Church. Lindsay & Co, he returned again to Archambault, where he served 1948-77 as head of music and publishing and of the sheet music department. Boucher, among others, before returning in 1925 to Archambault, where he served 1929-42 as general manager. Duquette had been in charge of the religious music department at Archambault's 1917-19, then had worked for A.J. He was succeeded by his nephews, Edmond (d Montreal ), Pierre and Rosaire Archambault, assisted by Camille Duquette (b Montreal, d 1980, a pupil of Jean-Noël Charbonneau at the Schola cantorum). There he worked until struck down by illness in April 1946. In 1930 Archambault moved into a seven-storey building which he had erected on Ste-Catherine St East. The firm was incorporated in 1937 and took the name of Ed Archambault Inc. He was the sole agent for Paul Kaul violins (placing that department under the supervision of the Belgian Ulysse Salme) and also represented Holton, Kohn, and Selmer brass instruments. He also sold Archambault pianos, made by his firm except for the sounding boards, which were imported from the USA.

He became the agent for several Canadian and US pianos ( Pratte, David & Michaud, Lesage, Baldwin) and organs (Thomas, Baldwin). During World War I he took over his neighbour's business, the Hurteau music store. The success of this expansion allowed him in 1904 to lease two additional floors, containing studios and a concert hall. Archambault (b St-Paul-L'Ermite, near Montreal, August 1870, d Montreal in his youth a student of piano and organ in Montreal) added Bell pianos to the store's merchandise around 1900. It began as a sheet music store at the corner of Ste-Catherine and St-Hubert streets and moved later to Ste-Catherine and Berri. Business concern established in Montreal in 1896 by Edmond Archambault.